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Oil Paintings Come From United Kingdom
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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

 

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Albrecht Durer Emperor Maximilian I oil painting

Painting ID::  88185

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Albrecht Durer
Emperor Maximilian I
1519(1519) Medium Oil on linden cyf
   
   
     

 

 

Albrecht Durer Portrait of Burkard von Speyer oil painting

Painting ID::  88343

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Albrecht Durer
Portrait of Burkard von Speyer
1506(1506) Medium Oil and tempera on panel cyf
   
   
     

 

 

Albrecht Durer The Adoration of the Trinity oil painting

Painting ID::  88404

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Albrecht Durer
The Adoration of the Trinity
1511(1511) Medium Oil on linden Dimensions Height: 135 cm (53.1 in). Width: 123.4 cm (48.6 in). cjr
   
   
     

 

 

Albrecht Durer The Martyrdom of the Ten Thousand oil painting

Painting ID::  88406

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Albrecht Durer
The Martyrdom of the Ten Thousand
1508(1508) Medium Oil on canvas transferred from panel cjr
   
   
     

 

 

Albrecht Durer The Martyrdom of the Ten Thousand oil painting

Painting ID::  88411

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Albrecht Durer
The Martyrdom of the Ten Thousand
1508(1508) Medium Oil on canvas transferred from panel cjr
   
   
     

 

 

Albrecht Durer Feast of the Rose Garlands oil painting

Painting ID::  88607

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Albrecht Durer
Feast of the Rose Garlands
1506(1506) Medium Oil on poplar Dimensions Height: 162 cm (63.8 in). Width: 194.5 cm (76.6 in). cjr
   
   
     

 

 

Albrecht Durer Portrait of Barbara Durer oil painting

Painting ID::  88626

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Albrecht Durer
Portrait of Barbara Durer
1490(1490) Medium Oil on pine panel Dimensions Height: 47 cm (18.5 in). Width: 38 cm (15 in). cjr
   
   
     

 

 

Albrecht Durer Maria mit Kind oil painting

Painting ID::  88634

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Albrecht Durer
Maria mit Kind
c. 1496 Medium Oil on canvas Dimensions Deutsch: 95 x 105,5 cm cjr
   
   
     

 

 

Albrecht Durer Madonna with the Siskin oil painting

Painting ID::  88810

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Albrecht Durer
Madonna with the Siskin
1506(1506) Medium Oil on poplar cyf
   
   
     

 

 

Albrecht Durer Die Ferlegerin mit geflochtenem Haar oil painting

Painting ID::  88856

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Albrecht Durer
Die Ferlegerin mit geflochtenem Haar
1497(1497) Medium oil on canvas Dimensions 56.5 x 42.5 cm (22.2 x 16.7 in) cyf
   
   
     

 

 

Albrecht Durer Die sieben Schmerzen Maria, Mitteltafel oil painting

Painting ID::  89306

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Albrecht Durer
Die sieben Schmerzen Maria, Mitteltafel
c. 1494 - 1497 Medium oil on panel Dimensions Deutsch: 63 x 46 cm cjr
   
   
     

 

 

Albrecht Durer self-portrait at 22 oil painting

Painting ID::  89380

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Albrecht Durer
self-portrait at 22
1493(1493) Medium Oil on linen, transferred from vellum cyf
   
   
     

 

 

Albrecht Durer Die sieben Schmerzen Maria, Mitteltafel oil painting

Painting ID::  90282

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Albrecht Durer
Die sieben Schmerzen Maria, Mitteltafel
c. 1494-1497 Medium oil on panel Dimensions 109,2 x 43,3 cm cjr
   
   
     

 

 

Albrecht Durer Portrat des Oswald Krell oil painting

Painting ID::  90783

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Albrecht Durer
Portrat des Oswald Krell
1499(1499) Medium oil on panel Dimensions Deutsch: 49,6 x 39 cm cjr
   
   
     

 

 

Albrecht Durer Portrait of Elsbeth Tucher oil painting

Painting ID::  91636

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Albrecht Durer
Portrait of Elsbeth Tucher
1499(1499) Medium oil on panel Dimensions Height: 29 cm (11.4 in). Width: 23 cm (9.1 in). cyf
   
   
     

 

 

Albrecht Durer self-portrait in a Fur-Collared Robe oil painting

Painting ID::  92004

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Albrecht Durer
self-portrait in a Fur-Collared Robe
1500(1500) Medium oil on linden cyf
   
   
     

 

 

Albrecht Durer Paumgartner Altar oil painting

Painting ID::  92011

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Albrecht Durer
Paumgartner Altar
1503(1503) Medium oil on linden Dimensions Height: 155 cm (61 in). Width: 126 cm (49.6 in). cyf
   
   
     

 

 

Albrecht Durer The Adoration of the Trinity oil painting

Painting ID::  92060

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Albrecht Durer
The Adoration of the Trinity
1511(1511) Medium oil on linden cyf
   
   
     

 

 

Albrecht Durer The Adoration of the Trinity oil painting

Painting ID::  92061

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Albrecht Durer
The Adoration of the Trinity
1511(1511) Medium oil on linden cyf
   
   
     

 

 

Albrecht Durer Portrait of an unknown man oil painting

Painting ID::  92825

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Albrecht Durer
Portrait of an unknown man
1521(1521) Medium oil on panel Dimensions 50 X 36 cm (19.7 X 14.2 in) cjr
   
   
     

 

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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.